Remembering the Hallelujah, Toronto Concerts in 2012

So this time last year I had this image ready to post on the first anniversary of what I call my Hallelujah concerts but internet issues meant I couldn’t post then. So roll on this year and the 2nd anniversary. Great memories of a wonderful time. I guess I should have posted this yesterday but as Leonard would say “There is a crack in everything”.

Hallelujah

 

Photos by Gwen Langford.

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10 Years Ago Today…….

Hallelujah

 

It is ten years ago today since this journey I am on began. Yes my friends, August 23rd 2004 is the day I discovered the music of Leonard Cohen and it is something I will be eternally grateful for. Discovering Leonard and his music has been life changing for me. I have Leonard to thank for my first ever trip out of Ireland in 2010, when I went to see him perform in Katowice and readers of this blog will know I’ve had many more adventures since then. Most recently I have Leonard to thank for having my first ever photography exhibition which can be seen in the most recent post below this one. Ok Leonard had nothing personally to do with that but it was through my love for him that the opportunity presented itself. These are just two examples of the many ways Leonard and his work have enriched my life.

This wonderful day 10 years ago has been covered before on my blog at this post: https://myleonardcohenjourney.wordpress.com/2013/01/31/hallelujah-video-and-my-hallelujah-story/

Specifically from the paragraph starting: “So why Hallelujah? Well I will now attempt to answer that question. The first time I heard Hallelujah and indeed any of Leonard’s songs was the Jeff Buckley version of the song. It was August 23rd 2004 and almost midnight.”

When I think back to that night in 2004 and hearing Jeff Buckley singing Hallelujah I only wish I can remember the actual date of when I first heard Leonard sing the song. However a line of Leonard’s fits here too, “There is a crack in everything, that’s how the light gets in” from Anthem. This is a very good life lesson that I learned from Leonard. Not everything has to be perfect, sometimes cracks are ok. Thank you Leonard, and here is to the next 10 years and beyond.

P.S My 10 year anniversary means it is 20 years since the release of Jeff Buckley’s album Grace. Jeff may have departed our world since then but this album remains a classic and one that stands the test of time.

 

Concert Review: Dublin O2 September 11th and 12th 2013

When the European tour for this year was initially announced Ireland wasn’t on the list and while I was disappointed I was grateful for all the concerts we’ve had here, and had of course the New York and Brussels concerts to look forward too. To say I was ecstatic when Dublin was then announced is an understatement. To have Leonard returning to the venue where I first saw him in concert was something I really relished and after freezing in Kilmainham last year, and as much as I love outdoor concerts it was a relief to know we’d have no incremental weather to disturb us!

I was very excited and a little sad knowing that concerts were the last I will attending this year. I had gotten used to in the last year of having the knowledge of future concerts to look forward to, such is how spoilt we have been by the tour over the last year.

Like in 2009 the lighting director Ryan Murphy bathed the background of the stage in the colours of the Irish flag for us to see as we were coming into the venue. I’ve no knowledge of seeing this anywhere else. That isn’t to say it doesn’t be done at other venues, just that in all the concerts I’ve attended I’ve never seen it anywhere else.

After taking our seats in the fifth row dead centre we awaiting Leonard and his wonderful band to take the stage and when they did it was a great reception from the delighted Irish, and travelling fans, of whom there were many in attendance, from all over the world.

As always Leonard opened with Dance Me To The End Of Love. The set list for the first half of the concert is mostly the same these days so we always have a fairly good idea what is coming next. This never takes away from the excitement for me as I could witness these songs live a thousand times and never bore of them.

After Dance Me To The End Of Love Leonard thanked us all for coming, thanking those in the high seats for climbing up there and those of us at the front for breaking our household budgets in these tough economic times. While the concert tickets are expensive I personally think Leonard is worth every cent as his concerts are longer than nearly everyone except Bruce Springsteen but Leonard has been know to do even longer concerts than Springsteen on occasion and indeed the second Dublin concert was longer than the one Springsteen concert I was at earlier this year. It must not be forgotten that for a man of his age, Leonard will be 79 next week this is a very impressive statistic. Not only are the concerts long they are performed to perfection, and Leonard always gives us as he promises at the start of his concerts everything that he has got. There are no songs I’d call fillers and Leonard is never going through the motions.

I’ve often stated in the past it is hard to pick favourite moments from Leonard’s concerts because everything is performed very well but thinking back to Wednesday night moments from the first half that stand out include Javier Mas introductions to Who By Fire and The Gypsy’s Wife. He is a musical genius on any of the stringed instruments he plays and it is mesmerising watching him perform and while my tired mind can’t remember which night now on one of the nights I had tears streaming down my face during Who By Fire at the beauty of it.

Before Leonard performed Darkness we heard a what is familiar introduction to us for a different song, Ain’t No Cure For Love, where Leonard speaks about looking in the mirrors in his hotel rooms with the magnifiers and how it is a bad idea to look into these after the age of eleven and that he says to him self “Lighten up Cohen” This is normally expanded to include the line that there ain’t no cure for love before beginning the actual song. On Wednesday night he just said and “Now I am going to sing a song about it”. I can’t say if this was a mistake on Leonard’s part or if Darkness was his original intention as the set list for the last few concerts had Darkness in this position but either way I love that introduction from him so was happy to hear it!

Something while rarely fails to move me to tears is anywhere in the concerts where Hattie and Charley Webb are singing and this week was no exception. Their voices are so angelic and it is no wonder Leonard refers to them as the sublime Webb Sisters and his angels. They perform the opening lines to Come Healing and it is achingly beautiful to hear.  During the encores they perform If It Be Your Will and for me it is impossible not to be in floods of tears during that performance.

Lover, Lover, Lover brought us to the end of the first half. While I do love the song and if I take this version as a stand alone and not compare it with the original version or the one performed on the previous tour it is brilliant but I do confess I do much prefer when this song is performed at a slower pace and find it much more intimate.

The second half was opened with Tower of Song which is a great opener for the second half. Leonard is very playful during this song on which he plays the keyboards. It never fails to amuse me and having a good reaction from the audience means a very happy Leonard and therefore a very happy Gwen!

It is special to hear Suzanne after this. I’ve always love this song but even more so since visiting Montreal and the location of the line “And the sun pours down like honey on our lady of the harbour”

After Chelsea Hotel #2 we had the wonderful surprise Night Comes On. This song hasn’t being performed live in a while and it is one of my favourites from one of my favourite albums Various Positions.

Sharon Robinson was exquisite singing Alexandra Leaving. This song doesn’t normally bring tears but on Wednesday night it did. At the end of the song she got a much deserved  standing ovation from many of us in the audience. It can never be stated enough how important she is to Leonard and indeed to all of us as she has co-written so many of the songs he loves to perform for us and we love to hear.

After Hattie Webb’s solo in Take This Waltz I caught her eye and mouthed “Thank you that was beautiful” and she smiled and mouthed back “Thank you”. I was yet again a tearful wreck. I always get emotional at some point at a Leonard concert but for the two Dublin concerts I was more emotional than usual. I think it was a mixture of the fact they were my final two concerts but also the fact that they were absolutely amazing concerts. Leonard and co for me keep getting better and better. I always think the concerts are perfection but having attended a lot of concerts now I have learned there is always room for improvement and that things can be taken to whole new levels, ones which I didn’t even know existed!

From when I bought my tickets I knew that with my brilliant central location I wouldn’t be able to escape for the encores like I usually do so I stayed put and enjoyed it as much as always. Lots of my favourites are performed. I’ve been lucky to see Leonard in many different locations but I have to say for the audience participation especially during So Long Marianne means that my favourite concerts are the Irish ones. I must state though that I’ve loved all the concerts I’ve attended and to be able to witness the magic is so many locations is something I am truly grateful for and I’ve loved all the different places I’ve visited.

The atmosphere for So Long Marianne didn’t disappoint and it was amazing. A couple of times I glanced around the venue and it was electric seeing the whole place up enjoying it. The reaction to First We Take Manhattan was on a par with New York and reminded me of those concerts.

While it looked like Closing Time might have indeed being closing time Leonard delighted us with performing one last song, I Tried To Leave you. I love when this is done as each band member has a solo. One of my favourite parts is Rafael Gayol’s drum solo where he throws his drumstick in the air and tries to catch it. This time he missed but that made us all smile.

 

Heading into The O2 for night two my heart was torn with a mixture of excitement for the night to come but also with an ache knowing this was going to be my  last concert for the foreseeable future. Please readers know I am truly grateful for all the concerts I had but I’ve never become complacent and Leonard’s concerts and the times I’ve spent speaking with him are the best moments of my life.

This was an extremely emotional concert for me and in my opinion very very close to Lissadell as one of the most special concerts I’ve attended. Between a new song, the return of one of my absolute favourites Anthem, actual funny hecklers and Leonard’s closing words it made for what I can only describe as a magical recipe of perfection.

The first song to have me in tears was Bird On The Wire. Again like Who By Fire the previous night I don’t usually cry during this song but it is one of my favourites and in what I call my top five of Hallelujah, So Long Marianne, Anthem and Famous Blue Raincoat. What made this song so special Thursday night was what was an astoundingly amazing performance from Leonard. It is always performed well but I remember thinking at the first night in Montreal Leonard had taken it to a whole new level. Well Thursday night he done it again and so much so my friend and I turned to each other in amazement at the end and said something along the lines “That was out of this world” to each other.

There was no repeat of the “introduction” to Darkness on Thursday but I should make a note of a chant Leonard does to Raphael Gayol during this song. No one has any idea of what this means as I did ask a couple of the crew members who said no one has asked Leonard what it is or what it means!

I was on cloud nine when Leonard performed Anthem at the end of the first half on Thursday. I was heartbroken when I saw it dropped from recent concerts. That song is very significant to me personally and I think it is the perfect song for that part of the concert.

The antics during Tower Of Song were again very amusing with hecklers adding to Leonard. I can’t remember now what was shouted up but at the time found it hilarious. Hopefully a video will appear to remind me!

After Chelsea Hotel #2 on Thursday Leonard had an extra special treat for us, a new song called I’ve Got A Secret. I didn’t recognise the melody but immediately recognised some of the lyrics. While I couldn’t place them at that moment on returning to the hotel I investigated and discovered that they were some of the lyrics from what I call the second version of Feels So Good which we’d heard in Toronto. Speaking with Hattie Webb after I mentioned this and she told me she hadn’t made that connection and was very impressed that I did! On that first listen to the song I immediately loved it. The melody has a lovely jazz feel to it.

As much as I love Leonard singing I also love when he recites A Thousand Kisses Deep. I recorded this on both nights but missed the first few words the first night so had to try again. I’m glad I did though as it was unique the second night when Leonard had a false start due to a lady in the row behind us yelling “Leonard I’m your woman”. Normally someone yelling during this would be on the receiving end of a glare from me but given it was the start it was funny and anything that makes Leonard smile makes me smile.

As it is my all time favourite song from Leonard Hallelujah is always my ultimate highlight at the concerts. He puts passion into every song but seems to do more so in this song and for me I think the Thursday version is my all time favourite rendition. Of course the tears were flowing and more so as it is my last live performance but the tears didn’t take away from my enjoyment of the song.

Like the previous night given my central location I didn’t think I would be able to escape to the front for the encores. However seeing a huge gap directly in front of the seats I asked the person in front would she mind me climbing over the seats to which she kindly allowed and for the first couple of songs of the encores I was in the second row of standing pilgrims but then a gap appeared which allowed me to be at the very front almost centre for the last few songs. This was very special for me as the last time I was that close to Leonard as he performed was during the encores in Katowice 2010. Being that close for especially So Long Marianne and Famous Blue Raincoat is great. It means we can see the glances between Leonard and his band and also experience a up close view of the wonderful musicians.

There was a funny moment for me when having developed a sore throat and lungs from the singing along and the dry ice I was spending ages rooting in my bag for throat sweets. Having eventually found them buried under my jacket I looked up to see a confused look from Charley Webb as to what was I doing. I held them up and touched my neck to demonstrate and she smiled down at me.

It must be noted that the musicians I haven’t mentioned personally throughout this review were just as amazing as they always are. I’m just aware this is a very long review and I hope my readers enjoy it. I think I just want to have a record of as many moments of these two concerts as I can! Just to mention though Alexandru Bublitchi performances on the violin are always breathtaking and I always appreciate the contribution by the musical director and bassist Roscoe Beck.

After having Anthem as a extra song I thought maybe we’d get a shorter encore but no Leonard actually gave us an extra song there too with Save The Last Dance. While I always prefer hearing Cohen’s songs over covers I was very happy to get this as an extra at the end. Also I am rarely a fan of listening to covers preferring the originals,but maybe it my love of Leonard but I actually prefer his version to the original!

Leaving The O2 on Thursday night I couldn’t have wished for more over the two nights. We had a total of 60 songs performed, 31 different ones between the two nights. Leonard and his band never fail to deliver but on these nights he gave us everything he got and more. His closing words after Closing Time on Thursday were very special and we could tell he enjoyed these concerts as much as we do. I never thought I’d witness a concert to be on a par with magical Lissadell but the Thursday concert especially is up there for me.

Thank you to Leonard, your wonderful band and crew for giving us the most memorable nights. If these do turn out to be my final concerts I couldn’t have asked for a better ending. For now I take forth the memories and will be eternally grateful to do so.

 

 

Review: Leonard Cohen, Brussels, June 30th 2013

Having spent a fortune seeing Leonard Cohen in concert over the last year and funds starting to run low I had to decide on one European mainland location and when Brussels was announced for the day after my birthday it was decision made to go there.

I’ve being dismayed with how since late last year Cohen concerts have been delayed due to  the audience not being in their seats at the scheduled time so it made me determined to arrive extremely early and got there before the doors even opened. I wasn’t sure what to expect of the venue after hearing negative reports but on entering was pleased to see it didn’t look too bad and our seats were in a great location, 3rd row directly in front of  Javier Mas.

After the delay to allow the seats to be sufficiently filled Cohen and his band came on stage to a massive cheer by a delighted audience. After the opening song Dance Me To The End Of Love Cohen thanked us for coming and to those in the high seats for climbing to those high places and for those of us at the front for paying so dearly. As always every song performed was amazing and every song a highlight. In the opening half my favourites included Who By Fire. I don’t know if it was my close proximity to Javier Mas but for me it was my all time personal favourite rendition. Mas is a musical genius and his solo at the start this song gave me goose-bumps. I also loved the extended applause after his solo and when Hattie Webb joined in on the harp and Roscoe Beck on stand up bass. This applause lasted for the entire first verse. I never witnessed this before and on reading the No Ideas blog from technician Leif Bodnarchuk I see he has never witnessed it either.

Hallelujah aside, my other favourite moment was when Cohen recited A Thousand Kisses Deep. I adore this and Cohen doesn’t  normally quote it at non-English speaking countries so I was delighted and moved to tears when he did it, focusing completely and  soaking it in. Other first half highlights included an as always sublime performance of Bird On The Wire and Lover, Lover, Lover. I do confess I prefer the version sung on the previous tour but judging this version on its own merits it is great and I love the new arrangement at the start of the song. We found it amusing when Cohen started chanting nearing the end of Darkness as we have no idea of why he is doing it but it adds an air of mystery and makes for a good discussion after the concert! Maybe someone reading this can explain it to me. We were also discussing the line change in Anthem from “the dove is never free” to “the dove is always free”.

As always Cohen opened the second half with Tower Of Song and like we had witnessed in New York is continuing to joke about his keyboard abilities and running his elbows along the keys. Having looked at the set lists for recent concerts and seeing both Sisters Of Mercy and Heart With No Companion I had prayed they would remain for this concert so was delighted when they did.  As Brussels is a French speaking country La Manic and The Partisan were both performed and received a huge reception from the audience. I love when during The Partisan Neil Larsen comes down from being the organ and keyboards to play the accordion.

Sharon Robinson as always was amazing when singing Alexandra Leaving. Hallelujah as usual for me was my absolute highlight and the final song of the second half Take This Waltz, with an as usual exquisite solo from Hattie Webb and hauntingly beautiful violin playing from Alexandru Bublitchi was great.

As Cohen did his band introductions at the end of Take This Waltz some of us raced to the barriers. The barriers were closer to the stage than in Dublin last year, so I really enjoyed being the closest I have been to Cohen as he performed, since Katowice in 2010 for the encores. While I did of course love the Canadian and New York concerts I do admit I missed being able to stand in front of the stage singing along to So Long Marianne, First We Take Manhattan and Closing Time. These songs all got a great reception with lots of interaction from the crowd which pleased everyone on stage. The crowd reaction after an as always excellent Famous Blue Raincoat was so loud we could barely hear Cohen speak after it!

I understand the times when to be quiet at a  Cohen concert but there was one person who in the tiers didn’t and it didn’t go down well with me or those around me when he started shouting when Cohen was reciting at the start of If It Be Your Will. The Webb Sisters as usual though were outstanding singing this and also as usual for this song I couldn’t stem the flow of tears.

I always love when I Tried To Leave You is in the set list as it includes solo’s from the entire band. My favourite part of this is Rafael Gayol’s solo where he throws his drumstick in the air and catches it. For the encores I enjoyed being able to see Mitch Watkins as he was hidden from my view for most of the concert. However I still appreciated his input and enjoyed hearing his contribution and especially during Bird On The Wire.

The actual songs aside I just loved the entire feel of this concert. Cohen and everyone on stage was in great form with lots of smiles in appreciation to the audience reception. With the exception of the one person shouting I thought the crowd to be excellent and it always makes me feel good when I am a part of such crowds. I felt this was a very special concert where especially with the slower songs in the gentle way they were performed. In trying to put this feeling into words and thinking about it the only description coming to mind is that of sitting near water and the songs being like waves, soft and soothing during the slow songs and then more powerful but still breathtaking during the faster songs. It was simply magical and a night I’ll never forget.

When I thought my weekend in Brussels having my birthday and a concert the following day couldn’t get better on the Monday it did. After going sight-seeing we were exiting a metro station when I spotted a burger restaurant in front of us and even though we had planned to eat later we decided to go in. After getting our food and sitting down I was looking out the window when I spotted a woman and thought to myself she looks very like Leonard’s PA. Then I saw him and couldn’t believe our luck. Mandy thought I was joking when I said “Leonard is outside” and asked me was I sure and then saw him herself. We went outside and stayed a distance away as never would we dare to approach Leonard while he was eating. When he finished he got up and walked in our direction. He was very happy to see us and thanked us for coming.

After getting a few photos we talked about the previous night and the songs we loved hearing. I mentioned A Thousand Kisses Deep and how I wasn’t expecting it as he doesn’t normally do it at non-English speaking countries and he agreed with me and said that on Sunday night he felt like doing it and was happy I enjoyed it. I also told him I was happy to hear Sisters Of Mercy and Heart With No Companion and of course as always Hallelujah. Mandy also mentioned the songs she enjoyed most. After this Leonard told us we are great friends and we said our goodbyes wishing him well on the rest of the tour. It made for a wonderful memory for us to take with us and treasure forever.

Review of Montreal and Toronto

Ever since I first discovered Leonard Cohen I’ve had the dream of seeing him perform in his hometown of Montreal so when the concerts were announced earlier this year it was an easy decision to travel across the Atlantic to realise this dream. I had always said if I went to Montreal I would also go to Toronto and from there visit The Niagara Falls. Destiny would have it that the days we would be in Toronto Leonard would also be there so we had the added pleasure of attending the concerts there. In total there were four concerts, two in each city and like all the Leonard concerts each concert was individual with highlights of their own.

The Montreal concerts were held in the Bell Centre which is a hockey arena and is also used for concerts. On entering the venue I was amazed at how big it looked and was very relieved at having seats close to the stage. While of course I’m grateful for any seat at a Leonard concert I do confess I like to be as close to the stage as possible and see his expressions when he sings and when he takes in his surroundings. When Leonard and his talented musicians came on stage at the start of the concert everyone got to their feet and cheered to welcome Leonard back to his hometown for his first concert there in four years. Every Leonard concert is special but seeing him perform in Montreal was very special. As always he opened with Dance Me To The End Of Love and it was good to see that most people in attendance appeared familiar with all the songs though I have to say the Canadian concert goers are a lot more reserved than the Irish! I was very pleased to see there was little movement from the audience during the songs so we had no distractions while we listened and watched some superb performances.

Highlights on the first night for me included what in my opinion was the best performance I have ever seen of Bird On The Wire. Leonard’s singing and body language as he sang this song for me seemed to be on a whole new level and I was pleasantly surprised as I have always felt he performs this song to perfection so for it to be even better than before was amazing. I’m also loving the addition of some Mitch Watkins solos in this song.

Since I last saw Leonard in Dublin the arrangement for Darkness has changed with him now starting the song at a later verse than before. On the first night in Montreal we wondered was it a mistake but when the same happened the following night we knew it was Leonard doing what he often does in changing songs. He used to play guitar on this song but now performs it without the guitar. This allows him to be very expressive and I loved the body language.

It was also great to hear Leonard recite A Thousand Kisses Deep at all the concerts I attended in Canada. The last time I’d witnessed this was in Las Vegas in 2010. While I love Leonard as a singer I also love when he recites poetry as he is an expert and knows exactly how it should be done. We heard some funny intros to Ain’t No Cure For Love with him using these words on the first night in Montreal. “Sometimes, I stumble out of bed, look at myself in the mirror and say to the mirror `Lighten up, Cohen, how long is it going to take you to get used to the news that there ain’t no cure for love’?”

On the first night in Montreal we were treated to the tour premiere of Show Me The Place and indeed the first time this song was sung live as it is from the new album. It sounds great live and it was very much appreciated. Hallelujah as always was my concert highlight and I loved when Leonard sang the line “I didn’t come home to fool you”. Even though as usual come the end of this song I had tears streaming down my face this made me smile and pleased I was to be witnessing him in his hometown.

As always everyone on stage gave a great performance and it was great to see. Both Mitch Watkins and Alexandru Bublitchi appeared to have more solos than when I had seen the tour in Europe. It was also great to see Raphael Gayol had an extra solo in Darkness.

For night two in Montreal we were a little further back but not so far that I needed the screens and I could still see the expressions from everyone on stage. The first set was the same as the first set on the previous night but as I stated in reviews before if Leonard sang the same songs every night I’d never complain as when the performance is to such a high standard I feel there is no room for complaints! Of course there are songs I’ve never heard him sing live that I’d love to hear but I can’t complain about perfection.

At every Leonard concert we are treated to amazing solos and one that always stands out is Javier Mas at the start of Who By Fire. He is a genius on the bandurria and he plays with such an intensity that the whole crowd is instantly silenced and he always receives a resounding applause after his solo. I love when Roscoe Beck joins in on standup bass nearing the end of Mas’ solo. Beck is a fantastic musician and as musical director for the tour his input is immense. The addition of the violin at Leonard’s concerts on this tour is very welcome to my ears and I especially love Alexandru Bublitchi’s contributions to Dance Me To The End Of Love and Suzanne.

While the addition of Show Me The Place was much appreciated the first night Leonard had something extra special for us on the second night. After an introduction in French he sang a song unknown to me but which was very well received by the Canadians in the concert. I since discovered that the song in question was La Manic originally sang by Georges Dor, a song held dear by the people from Quebec. While I didn’t recognise the song I knew from the audience reaction we had just witnessed something very special. I felt this was very appropriate that Leonard should do this in his hometown. Another special song to hear in Montreal was The Partisan. As this song is sung half in English and half in French it was very well received by the home crowd. I love the way Leonard brings all the musicians close together for this song and it especially good to see Neil Larsen down from behind his keyboards playing the accordion.

Also performed on the second night was I Tried To Leave You. I always love when Leonard sings this song live as each band member has a solo in it and I love Rafael Gayol’s solo as he throws his drumstick in the air and then catches it. As he is hidden from view behind his drums we seldom see him but his contribution is huge and he really is the Master of precision as described by Leonard in his band introductions at all the concerts.

Visiting Montreal while first and foremost was the chance to witness Leonard in his hometown it was also the chance to see the place he grew up and places mentioned in his poetry, art and songs. We enjoyed trips to the area he spent his childhood, seeing Our Lady of the Harbour at Bon Secours which is immortalised in Suzanne with the line ”And the sun pours down like honey on our lady of the harbour”. We visited McGill University and were disappointed to see no reference to Leonard having studied there but it is a beautiful building well worth seeing. We also visited The Parc Du Portugal and were pleased to witness the first snow of winter there as Leonard has done a painting called “First Snow” at this location. We visited many other places too while in Montreal and it was very enjoyable experience and meeting friends who were kind enough to show us these places made it all the more special.

After almost a week in Montreal we departed to Toronto knowing we’d two more concerts and other special moments to look forward to. The day after arriving we fulfilled the dream of seeing The Niagara Falls which was wonderful and we were blessed with sunshine and warm weather on that day. The following day was a concert day but before the concert we had one last Leonard related place to visit. It was after we had booked our trip that I had the idea to try to get permission to view Leonard’s archives in The University of Toronto and we were delighted to receive that permission and so it was with much excitement we went to the University to view some of the items. There is too much to view on one day but we did spend 3 hours reading unpublished stories and letters. I loved all of it but especially the short stories. I won’t go into details because if Leonard wanted these in the public domain he’d publish them himself but suffice to say all the usual Leonard traits and subjects were covered and should I ever return to Toronto I’d seek permission to view these again and give myself more time!

After this it was time to get ready for the first Toronto concert at The Air Canada Centre. This concert was amazing for me and Leonard really changed the setlist from Montreal. The only one of these changes in the first half was the addition of Different Sides after A Thousand Kisses Deep. I was delighted to hear this song as it is my favourite from Old Ideas and indeed one of all time favourite Cohen songs. Other first half highlights included Leonard dancing during The Future during the line “White men dancing”. I love when Leonard is in a playful humour and he certainly was this night. I was pleased to note many smiles from the stage and seeing Leonard so relaxed.

Before the Toronto concerts I had named them the Hallelujah concerts in honour of my love of this song and the fact that the dates of the concerts were on the 4th and the 5th and fitted in nicely with the 4th line of the lyrics, “It goes like this the fourth the fifth”. I had a smile on my face as Leonard sang this line both nights. Of course this was before the usual tears as even if I don’t mention the song on every night in this review as I want to mention as many songs as possible it always has the same effect on me. This song introduced me to Leonard’s music which changed my life forever so I will always hold it dear.

There was many other highlights in the second half of this concert. This included my first Canadian time to hear I Can’t Forget and Anyhow, which I’d only heard once before in Dublin. If I’m completely honest I did prefer the Dublin rendition as Leonard sang it looking up whereas in Toronto he was looking down and I love when we see Leonard looking up when he is singing and seeing completely the expression on his face! It was great hearing yet another tour premiere on this night which was Feels So Good. This song has never appeared on an album and was premiered on the previous tour in 2009. However the version we heard in Toronto was very much different to the performances on the previous tour so much so that it was almost a completely different song.

Another highlight was during So Long Marianne when Leonard sang the words “God damn mountain side”. The last time I had heard him use those words was in Lissadell so it reminded me of a wonderful memory. There was a funny moment when Leonard thanked those who climbed to the high seats and then those of us who had emptied our pockets in the lower seats.

I haven’t mentioned it before as trying not to repeat myself but it must be noted the sublime performance of The Webb Sisters of If It Be Your Will at every concert and also the performance of Sharon Robinson during Alexandra Leaving. Both these performances every night is amazing and I never tire hearing them. Indeed there are many songs with the three ladies having solos and they always sound wonderful.

All too soon it was our final Canadian concert but the one where we had front row tickets which was a nice way to end our adventure and indeed our final Leonard concert this year.It would prove to be a great concert with some unique memories to take away with us.

During the intro to Ain’t No Cure For Love this time we got an intro with a difference. Leonard spoke about reading reviews of the previous night on the internet and he said he had seen a bad one and he couldn’t understand why he didn’t dislike the son of a bitch (his words!!) more and that he should hate him but then he realised there ain’t no cure for love. As someone who writes reviews I found this highly amusing and wondered who would write a bad review of a Leonard concert. Of course I know that not everyone shares the same opinions but bad Leonard reviews are very rare. It makes me wonder who was the reviewer. I have yet to read the review but I’d hazard a guess this person is not an admirer of Leonard’s. This does annoy me when people who are not admirers do reviews. It was once suggested to me to improve my writing I needed to start reviewing artists I don’t like. I disagreed with this as I feel for someone to write a proper review they need to at least like the genre of music they are reviewing. I can assure you all I have seen concerts of people I love and have been very disappointed and don’t review with rose-tinted glasses!

As with all the other nights there were many highlights and indeed for me every song is a highlight but of course some songs stand out for different reasons on different nights. On this night it was great to hear the tour premiere of Chelsea Hotel # 2. This was a solo with Leonard on his own with just his guitar. I have to say I felt blessed to have heard tour premieres on all four concerts I attended in Canada. Considering there had already been 44 previous concerts on this tour made it even more impressive.

As this was my final concert of the year I savoured every minute of it. It must be noted that songs I haven’t yet mentioned but love hearing every night include Famous Blue Raincoat, Anthem, Closing Time, First We Take Manhattan and Come Healing. I do indeed love all Leonard’s songs but these are extra special with the aforementioned songs for me. Famous Blue Raincoat has always been a favourite and I love the way Cohen now ends it with “Sincerely, a Friend”. Anthem is a song which literally changed my life when I was going through some difficulties. I’d only just discovered the song at the time and slowly the lyrics gave me strength when I needed it most. I always love the upbeat melodies and great lyrics of both Closing Time and First We Take Manhattan and the melody and The Webb Sisters singing Come Healing is beauty personified.

The final song was Leonard’s cover of Save The Last Dance for me. This was our first time hearing it in Canada and it was a nice way to end our adventure. We had a wonderful time in Canada and we met amazing people who are now friends and I hope someday to meet them again if not in Canada then hopefully somewhere else on the road.

Leonard Cohen, Lissadell July 31st Concert Review

Leonard Cohen and Lissadell House, surely a match made in heaven was the thoughts that crossed my mind many times over the last few months, as I waited for what could be the most magical concert I’d ever be lucky enough to attend.  Leonard having been a lifelong fan of the work of W.B Yeats relished the thoughts of performing there as much as we the fans relished the thoughts of seeing our Poet in possibly the most amazing location possible.

Having seen Leonard live last year and that gig being absolutely amazing, I have never before felt so much excitement and impatience in the build up to a gig. Could the tantalising mixture of Leonard and Lissadell really be a recipe for a night we would never forget? The answer to that is a resounding yes! From start to finish this was the most amazing concert I’ve ever attended. Having possibly the greatest poet of our times performing in the place that inspired his hero added a certain magic that I don’t believe I’ll ever witness again in my lifetime.

Playing for an impressive 3 hour 45 minutes with only a 20 minute interval Leonard and his fantastic band delivered to the highest possible standard playing the songs we so love to hear, and adding in couple of new songs to whet our appetites for the promised new album due in the spring of next year. Dance me to The End of Love was the opening song of this wonderful night followed by The Future and Ain’t no cure for Love, in what was a serenely mellow first half. I find it impossible to pick a musical highlight for this half since every song is a highlight in itself. The mix of Leonard’s sultry tones and the fabulous musicianship of his incredible band was musical poetry to me ears. However as wonderful as all the familiar tunes were I was delighted to hear the first of 3 new songs, Born in Chains. This new song showcases that even in his mid seventies Leonard can still write great melodies and fantastic lyrics. What I especially loved was that Leonard shared the singing of this song with the sublime Webb Sisters and his extremely talented co-writer Sharon Robinson.

My highlight of the first half wasn’t even the music but was when Leonard said he was delighted to be playing at Lissadell and quoting Yeats “The light of evening, Lissadell, great windows open to the south, two girls in silk kimonos, both beautiful, one a gazelle” before quoting what is possibly his own greatest lyric “Ring the bells that still can ring, Forget your perfect offering, There is a crack in everything, That’s how the light gets in”. He then preformed Anthem from which that song lyric came from to take us to the interval.

Like the 1st time I saw Leonard live the 2nd half proved to be my preference even though nearing the end Mother Nature treated us to misty rain! My favourite of Leonard’s songs Hallelujah and So Long Marianne were preformed in this half. Hallelujah is in my humble opinion the greatest song ever written and it has to be my ultimate concert highlight hearing it sung live by its creator.  Leonard starts and ends this song on his knees and delivered an outstanding performance that even though familiar to my ears gave me Goosebumps and had tears streaming down my face. Even now as I’m transported back to that moment I find my eyes filling up.

Hallelujah aside, like the 1st half it is extremely difficult to pick individual highlights because everything was sublime.  I am probably starting to sound like a cliché but I’m overwhelmed by the intensity of this amazing experience and feel so lucky to have witnessed this magical encounter. It must be noted how brilliant Leonard’s band is. During various moments during the night we were treated to solos form most of the band including Dino Soldo and Javier Mas. As mentioned before as always Leonard’s backing singers, The Webb Sisters and Sharon Robinson were outstanding. The mutual respect between both Leonard and his band is plain for all to see and adds to what is already an excellent ambiance.

Even after the incredible 3 hours and 45 minutes Leonard who will be 76 later this year was still in top form but there had to be an end and it was a touching end when he performed Lover, Lover, Lover which wasn’t even on the setlist. Other songs of note during the night included Famous Blue Rain Coat, Suzanne, In My Secret Life, First we Take Manhattan and I’m Your Man. It was a special moment for me when my friend who accompanied me to the concert started cheering after this song even though she isn’t a massive fan.

I know I could have easily listened for even longer to the concert but respect to Leonard that at his age he puts younger artists to shame and maybe they should take note on how to deliver a night of perfection where it is impossible to find fault in anyway. The interaction between us and Leonard, and also among the fans helped make this a night never to be forgotten. There was a big contingent of the “Leonard Cohen Forum” at the concert with over 90 of us having specially made name tags in honour of the special occasion. This interaction with people who are strangers showcased the magic and lure Leonard has among his faithful followers.

As I walked out of the Lissadell estate I had feelings of utter happiness and sadness mingled in. Happiness that not only did the gig live up to expectation but managed to surpass it in every possible way but sadness that what will possibly have been the best concert I will ever attend was over. I thank Leonard Leonard for the music, the lyrics and for being such an amazing human being and sharing himself with us and I also thank the Cassidy family for allowing this fantastic concert to take place in their front garden. I and all the other fans will be forever indebted to their generosity.