My Event Photo Exhibit

During December 2013 I received an email from Paula McCann, the Chairperson of the organising committee for the Dublin Event asking would I like to have some photos exhibited at the Event. I was honoured to be asked and to be a small part of what was a wonderful weekend. Photos of the photos at the Event will follow in albums of the actual Event. For now here are the photos that were used. Thank you Paula for having the vision to allow me do this and Albert Noonan for the professional final prints.

 

Alex at The O2

Alex at The O2 2013

Peacock in all his glory in Altamont Gardens in Carlow, Ireland.

Peacock in all his glory in Altamont Gardens in Tullow, Carlow, Ireland.

Tour debut of Anyhow in Kilmainham September 15th 2012

Tour debut of Anyhow in Kilmainham September 15th 2012

Charley at Kilmainham

Charley at Kilmainham

Cozy Time at Dublin Zoo

Cozy Time at Dublin Zoo

A smiling Leonard at the end of the Dublin O2 concert on September 12th last year

A smiling Leonard at the end of the Dublin O2 concert on September 12th  2013

Hattie at Kilmainham

Hattie at Kilmainham

Leonard analysing the new song I've Got a Secret in Dublin last year

Leonard analysing the new song I’ve Got a Secret in Dublin 2013

Kildare during the big freeze in 2010

Japanese Gardens in Kildare during the big freeze in 2010

Javier at The O2 2013

Javier at The O2 2013

Kilmainham

Kilmainham

Kylemore Abbey

Kylemore Abbey

Leonard at The O2 2013

Leonard at The O2 2013

Mitch at Kilmainham

Mitch at Kilmainham

O'Connell Bridge Seagull

O’Connell Bridge Seagull

Roscoe at The O2 2013

Roscoe at The O2 2013

Sharon at Kilmainham

Sharon at Kilmainham

St. Stephens Green Robin

St. Stephens Green Robin

Suzanne @ The O2 Dublin 2013

Suzanne @ The O2 Dublin 2013

The O2 Dublin stage 2013

The O2 Dublin stage 2013

Advertisements

Review: Leonard Cohen, Brussels, June 30th 2013

Having spent a fortune seeing Leonard Cohen in concert over the last year and funds starting to run low I had to decide on one European mainland location and when Brussels was announced for the day after my birthday it was decision made to go there.

I’ve being dismayed with how since late last year Cohen concerts have been delayed due to  the audience not being in their seats at the scheduled time so it made me determined to arrive extremely early and got there before the doors even opened. I wasn’t sure what to expect of the venue after hearing negative reports but on entering was pleased to see it didn’t look too bad and our seats were in a great location, 3rd row directly in front of  Javier Mas.

After the delay to allow the seats to be sufficiently filled Cohen and his band came on stage to a massive cheer by a delighted audience. After the opening song Dance Me To The End Of Love Cohen thanked us for coming and to those in the high seats for climbing to those high places and for those of us at the front for paying so dearly. As always every song performed was amazing and every song a highlight. In the opening half my favourites included Who By Fire. I don’t know if it was my close proximity to Javier Mas but for me it was my all time personal favourite rendition. Mas is a musical genius and his solo at the start this song gave me goose-bumps. I also loved the extended applause after his solo and when Hattie Webb joined in on the harp and Roscoe Beck on stand up bass. This applause lasted for the entire first verse. I never witnessed this before and on reading the No Ideas blog from technician Leif Bodnarchuk I see he has never witnessed it either.

Hallelujah aside, my other favourite moment was when Cohen recited A Thousand Kisses Deep. I adore this and Cohen doesn’t  normally quote it at non-English speaking countries so I was delighted and moved to tears when he did it, focusing completely and  soaking it in. Other first half highlights included an as always sublime performance of Bird On The Wire and Lover, Lover, Lover. I do confess I prefer the version sung on the previous tour but judging this version on its own merits it is great and I love the new arrangement at the start of the song. We found it amusing when Cohen started chanting nearing the end of Darkness as we have no idea of why he is doing it but it adds an air of mystery and makes for a good discussion after the concert! Maybe someone reading this can explain it to me. We were also discussing the line change in Anthem from “the dove is never free” to “the dove is always free”.

As always Cohen opened the second half with Tower Of Song and like we had witnessed in New York is continuing to joke about his keyboard abilities and running his elbows along the keys. Having looked at the set lists for recent concerts and seeing both Sisters Of Mercy and Heart With No Companion I had prayed they would remain for this concert so was delighted when they did.  As Brussels is a French speaking country La Manic and The Partisan were both performed and received a huge reception from the audience. I love when during The Partisan Neil Larsen comes down from being the organ and keyboards to play the accordion.

Sharon Robinson as always was amazing when singing Alexandra Leaving. Hallelujah as usual for me was my absolute highlight and the final song of the second half Take This Waltz, with an as usual exquisite solo from Hattie Webb and hauntingly beautiful violin playing from Alexandru Bublitchi was great.

As Cohen did his band introductions at the end of Take This Waltz some of us raced to the barriers. The barriers were closer to the stage than in Dublin last year, so I really enjoyed being the closest I have been to Cohen as he performed, since Katowice in 2010 for the encores. While I did of course love the Canadian and New York concerts I do admit I missed being able to stand in front of the stage singing along to So Long Marianne, First We Take Manhattan and Closing Time. These songs all got a great reception with lots of interaction from the crowd which pleased everyone on stage. The crowd reaction after an as always excellent Famous Blue Raincoat was so loud we could barely hear Cohen speak after it!

I understand the times when to be quiet at a  Cohen concert but there was one person who in the tiers didn’t and it didn’t go down well with me or those around me when he started shouting when Cohen was reciting at the start of If It Be Your Will. The Webb Sisters as usual though were outstanding singing this and also as usual for this song I couldn’t stem the flow of tears.

I always love when I Tried To Leave You is in the set list as it includes solo’s from the entire band. My favourite part of this is Rafael Gayol’s solo where he throws his drumstick in the air and catches it. For the encores I enjoyed being able to see Mitch Watkins as he was hidden from my view for most of the concert. However I still appreciated his input and enjoyed hearing his contribution and especially during Bird On The Wire.

The actual songs aside I just loved the entire feel of this concert. Cohen and everyone on stage was in great form with lots of smiles in appreciation to the audience reception. With the exception of the one person shouting I thought the crowd to be excellent and it always makes me feel good when I am a part of such crowds. I felt this was a very special concert where especially with the slower songs in the gentle way they were performed. In trying to put this feeling into words and thinking about it the only description coming to mind is that of sitting near water and the songs being like waves, soft and soothing during the slow songs and then more powerful but still breathtaking during the faster songs. It was simply magical and a night I’ll never forget.

When I thought my weekend in Brussels having my birthday and a concert the following day couldn’t get better on the Monday it did. After going sight-seeing we were exiting a metro station when I spotted a burger restaurant in front of us and even though we had planned to eat later we decided to go in. After getting our food and sitting down I was looking out the window when I spotted a woman and thought to myself she looks very like Leonard’s PA. Then I saw him and couldn’t believe our luck. Mandy thought I was joking when I said “Leonard is outside” and asked me was I sure and then saw him herself. We went outside and stayed a distance away as never would we dare to approach Leonard while he was eating. When he finished he got up and walked in our direction. He was very happy to see us and thanked us for coming.

After getting a few photos we talked about the previous night and the songs we loved hearing. I mentioned A Thousand Kisses Deep and how I wasn’t expecting it as he doesn’t normally do it at non-English speaking countries and he agreed with me and said that on Sunday night he felt like doing it and was happy I enjoyed it. I also told him I was happy to hear Sisters Of Mercy and Heart With No Companion and of course as always Hallelujah. Mandy also mentioned the songs she enjoyed most. After this Leonard told us we are great friends and we said our goodbyes wishing him well on the rest of the tour. It made for a wonderful memory for us to take with us and treasure forever.

Review: Leonard Cohen, New York April 6th and 7th 2013

After fulfilling a dream of seeing Leonard Cohen in his home town of Montreal last year next on the wish list was New York and Manhattan. While New York was on the list of locations last year I was unable to go so it was great when it appeared again this year and it didn’t take very long to decide to go. There are so many New York connections in Cohen’s songs and hearing the likes of First We Take Manhattan and Famous Blue Raincoat being performed in the city they referenced was something I was really looking forward to.

Heading into the Radio City Music Hall last Saturday I was very excited knowing I had two nights of Cohen and company live ahead of me. With the exception of the addition of I Tried To Leave You for the second concert the set lists for the two concerts were identical. However as I have often stated before Cohen could perform the same songs every night and I would still enjoy and relish the experience each and every time. For the Saturday concert while close to the front our seats were out to the side which meant we couldn’t see Mitch Watkins at all and only caught glimpses of Alexandru Bublitchi when he stood for his solos. However for the second concert we were in the centre so I could see all the band members and enjoy all their solos.

From the traditional opener of Dance Me To The End Of Love each night Cohen and company were in top form and it was good to see all the band looking happy and healthy given their recent flu and I was especially delighted to see Roscoe Beck looking well after him having to leave a concert early and miss one due to exhaustion.

Cohen has taken to making interesting introductions to Ain’t No Cure For Love and Anyhow on this tour and I love them both. The intro to Ain’t No Cure For Love is always variations of him looking in the mirror in his hotel room and telling himself to get a grip and when will he ever learn there ain’t no cure for love. His New York description included him describing the mirror as the ones found in hotel bathrooms which enlarge the face and how the one in his hotel there had bright lights and that people over the age of eleven should never look in mirrors. Anyhow is introduced with Cohen speaking about when he is 80 he is going to take up smoking again and he describes how a nurse, will bring out a tray with an open box of cigarettes on it and that the cigarettes will look like gleaming tiny Parthenon’s and he will ask the nurse to tap out the bubbles from the IV. During Sunday’s concert he extended this to include that the nurse could be male or female. I always love seeing Cohen and company smiling and enjoying themselves on stage. Another funny moment in both concerts was his antics during Tower Of Song. Cohen uses a keyboard for this song and soon into the song when the crowd are cheering he stops singing and looks into the crowd asking are we humouring him. He then proceeds to show us what else he can do with the keyboard and includes running his elbow along the keys.

As always I had many musical highlights with Hallelujah my usual favourite moments. I will never get tired watching Cohen perform this song. He sings this song with such an intensity that makes us forget the many covers and claims the song back as his own. First We Take Manhattan got a great reception on both nights with the audience clapping to the beat as soon as the band started playing the intro. It is the most up tempo song on the set list and the atmosphere was electric. I noticed during Democracy on the second night Cohen stood back for some of the choruses and let his backing singers sing while he danced and enjoyed the atmosphere. Having only witnessed Show Me The Place live once last year I was pleased to hear it both times in New York. I also loved hearing So Long Marianne although I have to confess I do prefer it here in Europe where we can stand at the front for the encores.  However I still love hearing the song at every concert. Listening to Famous Blue Raincoat in New York was amazing even though we never actually made it to Clinton Street! The one song I would loved to have heard but didn’t was Chelsea Hotel #2 given we were in New York but Cohen choose not to sing it. However having both First We Take Manhattan and Famous Blue Raincoat in the set list was great.

I felt while the crowd was good both nights that the second night had the edge. Every time a band member had a solo piece the crowd respectively clapped when the solo ended and it always gives me a warm feeling when I am part of a great audience and Cohen and company deserve the best in return for giving us their best each and every night. While all the band did receive a great reception it was Sharon Robinson’s rendition of Alexandra Leaving which got the greatest cheer and indeed a standing ovation. The Webb Sisters also got a load cheer for If It Be Your Will. While I’m prone to tears at any time at a Cohen concert the one song that never fails to have them streaming down my face is If It Be Your Will and New York was no exception here. The more I hear Alexandru Bublitchi on the violin the more I enjoy his contributions to Cohen’s songs. He adds a beauty to the songs and most especially in Dance Me To The End Of Love and Take This Waltz. It must also be noted how beautiful the contribution by Hattie Webb singing duet on Take This Waltz sounds. A real crowd pleaser and something I always look forward to is Javier Mas’ introduction to Who By Fire on the bandurria with Roscoe Beck joining on the stand up bass and Charley Webb on clarinet. I love Mitch Watkins solo on lead guitar on Bird On The Wire, This is one of my favourite Cohen songs and I’ve felt in shows in Canada last year and again in New York that Cohen is singing it with even more intensity than before. I’d always loved the song and always felt it was perfect but Cohen demonstrates that he can always improve on his songs and take them to a new level we didn’t even know existed.

Other highlights included Cohen’s recitation of A Thousand Kisses Deep. I adore this poem and it is always a real treat to hear Cohen recite it live. Neil Larsen’s organ playing is always beautiful and especially on the aforementioned Hallelujah and while Rafael Gayol seldom has solos his contribution is immense and I love watching him on the drums being the drummer in the quietest rock and roll band in the world. He did have a solo in I Tried To Leave You and everyone cheered when he threw his drumstick in the air and caught it. This was at the end of the second of two wonderful nights of which Cohen and his band well and truly took Manhattan!